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CAFE CARPE |
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18 South Water Street West |
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Fort Atkinson, WI 53538 |
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(920) 563-9391 |
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Please call to confirm data and make reservations. Note our show-times. |
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THE CALENDAR IS SOMETHING LIKE THE FOLLOWING: |
REMEMBER THAT RESERVATIONS ARE ONLY HELD UNTIL 15 minutes before SHOWTIME, since, especially for popular shows, we have the problem that some who reserve do not show, and some who show have not reserved. For the performer, a bird in the hand is worth two on paper. This does not apply if the tickets have been paid for in advance, and is, of course, only a problem for shows which sell out. If you show up late and there is still space you can get in. The bottom line is courtesy- if you do not intend to use any or all of the tickets you have reserved, or if you know you cannot make it on time, please call to let us know.
Please call to confirm data and make reservations. 920-563-9391
WEEKLY E-MAIL UPDATES:
If you sign up to be on our mailing list, you are likely to receive frequent ( a relative term) updates which may or may not contain more information than is listed below. If you truly want to be in the know, our recommendation is that you do not rely on either this or the updates we e-mail to you, but both. You may be screaming "too much information", but we feel that this method will provide you just the right amount of knowledge. Note also that Bill, the customary creator of these e-mails, does not seek editing advice prior to their distribution. You may note a few misspelled words, misplaced apostrophes, and typos. Find it in your hearts to forgive him such sins. His mother was not an English teacher, (though his brother and niece were).
IF YOU WISH TO READ JUST THE
CALENDAR sans descriptions, SCROLL FURTHER BELOW.
Last year Kitty set up a carpooling group on yahoo, since some people have expressed that they would come to more shows if carpooling were an option. Many of you come from the same place, and could save some money and have a smaller environmental impact if you rode together.
2009
FRI JUN 19 8:30 OPEN STAGE
SAT JUN 20 8:30 OPEN STAGE
FRI JUN 26 8:30 $5
BILL CAMPLIN solo/ Seth Blair of Reptile Palace Orchestra
Seth also has long had a
reputation in folk circles as a solo singer-songwriter, playing at
festivals and coffeehouses from coast to coast. OK, so he plays cello.
Sometimes, he even plays a six-stringed electric cello that looks a lot
like a pogo stick. So he never learned guitar, or piano, or even banjo.
So much the better.
What does it sound like? Reptile fans will recognize Seth's mix of humor
and poetry from songs like Enchanted Reptile Palace, Love's Sweet Light,
and Shot Full of Holes. Seth's songwriting ranges from the outrageous to
the mysterious to the downright touching. Songs like Pickling the Past
have been sung around campfires. Songs like Looking Out the Window or
Lullaby have been heard on moody, late-night alternative radio. And
songs like Psychic and The Day I Gave Up Seals belong on Dr. Demento.
The music combines elements of ragtime, blues, novelty, country, and
rock music with Seth's own unique lyric sense. And lots of cello.
Seth's show was rated more than once as Critics' Choice in Madison's
Isthmus, and as one of the top ten best bets Northwest Folklife Festival
by Paul de Barros of the Seattle Times. So what has he been doing? Why
isn't he famous? Where's the big money that all the other folk-rock
cellists are making? Seth has been laying low, bucking for tenure at the
University of Wisconsin. In the Zoology Department. Believe it or not,
they gave it to him (big mistake). Actually, Seth is one of the world's
experts on the development of the fruitfly wing. But that's another
story.
Critics' Choice: "The Reptile Palace Orchestra cellist, singer and
songwriter flies solo with original material, including the song that
gave the band its name. A favorite festival performer in his old Seattle
stomping grounds, Blair is an inventive wordsmith whose off-the-planet
humor grabs listeners first; but he has a thoughtful side as well."
Isthmus
"What this guy does with a cello will surprise, delight and amaze you."
Paul de Barros, Seattle Times
"Seth's acoustic sound and word play had everyone straining to catch
every musical drop..." Mark Manning,
Victory Music Review
SAT JUN 27 8:30 $5
BILL CAMPLIN solo/ Josh Harty
Josh Harty began playing music in his hometown of Kindred, North Dakota when he was six years old. From the beginning his music was marked by a love of gospel, country, and blues, and over the years Harty’s sound has mellowed into a catalog of original songs that is at once greater than the sum of its parts and most assuredly rooted in its origins. In a career that has spanned 24 years, Harty has graduated from playing nursing homes and Lion’s Clubs with his father, to opening for music legends such as Iris Dement, Kelly Joe Phelps, Robert Cray, and B.B. King. On his second solo outing, Long List of Lies, Harty delivers on the promise of his immense and singular talent.
"..one of Madison's best singer
songwriter's ... 'heavily influenced by the guitar work of Eric Clapton,
has a waft of gospel soul and is entrenched deep in the spirit of
storytelling."
- Dane 101
"I’ve said it before and I’ll say it
again: The pros in Austin and Nashville have nothing on this guy."
Tom Laskin - Isthmus (Sep 4, 2008)
www.joshharty.com
FRI JUL 3 8:30 $5
BENNETT COOKE
This thirty-year veteran of the Midwestern acoustic folk and blues scene will perform fingerstyle blues and folk on 12 string guitar.
http://www.myspace.com/bennettcooke
SAT JUL 4& SUN JUL 5 we shall be closed
THU JUL 9 7-9 $7.50
THE NEW PIONEERS
This five piece outfit featuring vocals, banjo, fiddle, guitar, bass and mandolin are doing a once-a-month performance here, usually the 2nd Thursday. Its various members have been involved with traditional music locally, regionally and nationally for many years.
The Pioneer’s lead singer and guitarist, Jerry Wicentowski, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien, Andy Statman, Byron Berline, Tony Trischka and others. Mike Schmidt of Spring Green, Wisconsin is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin based bluegrass bands, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water is on mandolin. Bruce's son plays bass. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites, The Nob Hill Boys.
FRI JUL 10 8:30 $15 advance
MICHAEL JOHNSON
Michael Johnson has performed and lived more music
and recorded more hits than you would imagine.
His voice immediately identifies him as the man who sings "Bluer Than
Blue," "Give Me Wings," "That's That," and other landmark songs. His
music shows a diversity, depth and heart that only come from years of
dedication to a labor of love.
When asked what he would have you know about himself, Michael says:
"Tell them that I love it." He started playing at age thirteen and just
never quit. Singing, playing, writing and recording are the only things
he's ever done and he loves it.
"Tell them I play guitar." He really plays guitar. He studied in
Barcelona and he plays on all his records with a unique and distinctive
style. His playing is an important part of his show.
"I am a soloist at heart." Michael often performs alone, and he has
elevated the art. He prefers the intimacy and spontaneity of a show that
can change with the moment.
"Tell them I'm a showman. I like to talk to people and I love to make
them laugh. And, of course, I have to move them with the music. That's
the whole thing. Without that, there is no reason to be on stage."
What one remembers of Michael is the texture of his voice, the meaning
of the lyric and the music of the guitar -- singer, song and sound. And
the feeling of being at home with a friend.
SAT JUL 11 8:30 OPEN STAGE
THU JUL 16 8:30 15 adv/ $20 door $10 students
MARTI GOBEL performs BEAUTY'S DAUGHTER by Dael Orlandersmith
The sheer exuberance of language that pours forth in Dael Orlandersmith's plays has dazzled critics and audiences alike. The award-winning writer and performer celebrates the power of words to rescue the young black women she portrays from their constricted worlds. In the Obie Award-winning play "Beauty's Daughter," Diane yearns to free herself from her soul-deadening surroundings, where people drown their unfulfilled aspirations in drugs and alcohol.
"[Orlandersmith's] depictions of the characters in her
native East Harlem neighborhood--some broken, some on the way down--are
passionate and full of insight."--The New Yorker
"An exciting new voice--of fiery rebellion and lilting lyricism--at once full
of anger and compassion."--The New York Times
FRI JUL 17 8:30 $10
MEG HUTCHINSON/Anne Heaton
MEG:
Lyric-based, contemporary acoustic songwriter. Influences include poet Mary Oliver, songwriter Shawn Colvin, word slinger Greg Brown and mood maker David Gray. Originally from rural western-most Massachusetts, Hutchinson now lives in the Boston area. Although only 29, she has already won numerous songwriting awards in the US, Ireland and UK, including recognition from prestigious competitions at Merlefest, NewSong, Kerrville, Falcon Ridge, Telluride and Rocky Mountain Folks Fests. She recently signed with Red House Records for the March 4th release of her new album "Come Up Full."
"Meg Hutchison shows great artistic strength in wrestling the positive from
the clenched fist of fear, cynicism and negativity so prevalent in our world.
The glass is always half full for Boston singer/songwriter, as confirmed on
Come Up Full, her stunning Red House Records debut. Masterfully produced by
Crit Harmon (Lori McKenna, Martin Sexton, Mary Gauthier), Come Up Full is a
lyrically rich collection of a dozen personal takes on matters of the heart
and of the world. There's not a weak track, however, America (Enough) is one
of the most evocatively moving post-9/11 songs I've heard. Hutchison has been
wooing and wowing critics for her songwriting at competitions from Kerrville
to Mountain Stage, but it's her lush alto vocals that send pricklies up the
back of your neck. It's the kind of voice that insists you stop whatever
you're doing and listen as closely as you can. Meg Hutchison might well be the
next Mary Chapin Carpenter -- she's that good." TheRecord.com,
Robert Reid, March 13, 2008
One of the best new artists I saw at Folk Alliance this year was Meg Hutchinson. Of course, being that I'm from Seattle, everyone I ran into from the East Coast already knew and loved her work. Sometimes, we on the West Coast take a little longer to catch on, but I'm glad I ran into her. Hutchinson's work calls to mind other great New Englanders like Kris Delmhorst and Dar Williams (who now lives in New York), as well as the crafty poetics of Greg Brown and the observational narratives of Joni Mitchell. Those are all pretty awesome artists to be compared to, but Meg has definitely earned the comparison. Kim Ruehl, About.com - Profile: Meg Hutchinson
ANNE:
Boston-based singer-songwriter/piano-player Anne Heaton released her
thoughtful and delicate new collection of music, Blazing Red in March of 2009.
The critically acclaimed artist returned to the studio after years of touring
to put together her third album with co-producer Gary Maurer (of HEM).
Recorded mostly live-in-the-studio, Heaton’s new record maps personal themes
with organic vocals, pop melodies and piano-led arrangements. Heaton expresses
feelings of loss and connection, from the desire to, one day, be a good mom,
to letting go of past relationships. The music is at times lush and whimsical
-- Heaton is often backed by a string quartet- and alternately intimate, she
sings and plays piano only. What is created is a soulful record that gently
urges the listener to both take risks and take comfort.
“Heaton comes up with a series of engaging pop arrangements for her lyrics--
tender, amusing, barbed and spiritual by turns. Nothing is neatly
resolved, but that suits Heaton's talents just fine”
(Washington Post)
"Heaton [has] a pop sensibility with an affinity for strong harmonies and
hook-laden arrangements"
(The Boston Globe)
"More of a storyteller than Norah Jones and definitely in the same category as
far as talent and vocal range" (Newspapertaxi.com)
"Anne Heaton combines a healthy sense of New England songwriter folk and
college radio-ready verve with a lovely vocal timbre. The result is [Black
Notebook], a record that is alternately lush, sweet, funny and sorrowful."
(Performing
Songwriter)
www.meghutchinson.com www.anneheaton.com
SUN JUL 19 2:00 $15 adv/ $20 door $10 students
MARTI GOBEL performs BEAUTY'S DAUGHTER by Dael Orlandersmith
The sheer exuberance of language that pours forth in Dael Orlandersmith's plays has dazzled critics and audiences alike. The award-winning writer and performer celebrates the power of words to rescue the young black women she portrays from their constricted worlds. In the Obie Award-winning play "Beauty's Daughter," Diane yearns to free herself from her soul-deadening surroundings, where people drown their unfulfilled aspirations in drugs and alcohol.
"[Orlandersmith's] depictions of the characters in her
native East Harlem neighborhood--some broken, some on the way down--are
passionate and full of insight."--The New Yorker
"An exciting new voice--of fiery rebellion and lilting lyricism--at once full
of anger and compassion."--The New York Times
FRI JUL 24 8:30
JOHN SIEGER & the SUB-CONTINENTALS/ Satchel Paige
The Subcontinentals are John Sieger (guitars & vocals), Mike Sieger (bass &
vocals), Kelli Gonzalez (keyboards & vocals) and John Carr (drums). They have
played together three years and were together in a previous band that played
cajun and zydeco music, a real oddity for the upper midwest! John has had
songs covered by Dwight Yoakam, Flaco Jimenez, Robbie Fulks, Jerry Harrison
(Talking Heads), The Bodeans and scads of other discerning roots rockers and
americana artists. The band's mission is simple: Number one, Have some fun,
and number two: Have some more fun. We'll let you guess what number three is.
They play dance music of all genres and wrote everything on this disc. This
does not mean that they are allergic to good covers though, since they do
everything from "My Boy Lollipop" to "Mambo Italiano." The main singers are
John, who has a nasally soulful delivery and Kelli, whose smoky alto conjures
up visions of Dusty, circa 1968. Mike Sieger sings in Spanglish. This disc is
their first and truly captures an evening in Milwaukee when the beer is
flowing and the dancers are wearing out the floor... it's almost like being
there!
www.myspace.com/subcontinentals
SAT JUL 25 8:30 OPEN STAGE
WED AUG 5 8:00 $12.50 advance
SLAID CLEAVES
THU AUG 6 8:00 $15
DAYNA KURTZ & MAMIE MINCH- songs for Hazel Dickens
In our experience, Dayna is magic. We trust that anyone she collaborates with share her qualities. She and Mamie are releasing a record with the songs of Hazel Dickens - the Appalachian bluegrass singer who collaborated with Mike Seeger's wife Alice Gerrard in the duo known as Hazel and Alice. Dickens appeared in the documentary "Harlan County, USA" and also contributed four songs to its soundtrack. She also appeared in the films Matewan and Songcatcher.
Dayna Kurtz began performing her
original compositions in public as a teenager, and subsequently spent the
better part of a decade touring solo across the back roads of America, selling
CD's out of her trunk and mesmerizing club and festival crowds with her
riveting live performances. Along the way, she opened shows for the likes of
Richie Havens (who became a fan and lent guest vocals to her debut studio
album, Postcards from Downtown).
The last few years has found Dayna winning over new fans in the New York City
music scene. In the past two years she has been invited to open up for Rufus
Wainwright, Antony & the Johnsons, and Keren Ann. Additionally, Dayna has won
over fellow "Living Room" habitué Norah Jones, who sings a duet with Dayna on
"I Got It Bad…" (From Beautiful Yesterday). Outside of her new hometown, the
legendary Richard Thompson invited Dayna to open up for a coast-to-coast
nationwide tour that found Dayna converting some of his faithful fans.
The fan response and critical attention generated by Kurtz's grass roots
touring efforts inevitably drew interest from the mainstream music industry.
Despite her indie status, Dayna has found an enthusiastic audience, winning
high-profile guest spots on such radio shows as World Cafe, Mountain Stage and
NPR's Morning Edition. But nowhere has the interest in Dayna's music been more
pronounced than in Holland, where Dayna's debut studio album soared into the
top 20 of the album charts on the strength of the hit single "Love Gets in the
Way". In the summer of 2003, Dayna went from performing in front of 50 people
at the Living Room in New York City's lower east side, to headlining the
fabled Paradiso theatre in Amsterdam in front of 1000 people in what would be
her first of many sold out shows in the Netherlands in the months to follow.
Dayna has since then discovered a larger audience in Europe, and this spring
alone will find her in Greece, Spain, Germany, Belgium and the UK.
But Dayna Kurtz has worked too hard to allow such adulation to go to her head.
"Every step I've taken has felt really organic, and like they've been made at
the right time," she states, adding, "The records I've made feel like honest
expressions of where I'm at musically, and the making of them has been joyful
and interesting."
"Besides, every musician should feel like a rock star in at least one
country."
Singer and guitarist Mamie Minch sounds
something like a well fleshed out 78 record. She is known in Brooklyn as the
area's premier blueswoman, interpreting - and writing- antique blues songs and
ballads. After a listen it will be clear- this is the music Miss Mamie seems
meant to sing. Growing up in a seafaring family along the East Coast and
eventually landing in small town Delaware, she got used to travel, attachment
and loss- and early on managed to alienate herself from her peers by falling
in love with lots of dead guitar players. Her biggest influences when she was
young and learning to play were blues guitarists Bukka White and the Reverend
Gary Davis- these giants helped her develop the percussive, intricate
resonator work for which she's known. She made it to New York as soon as she
was grown and her fascination with early blues found kindred spirits in a
group of 78 collectors who'd throw listening parties for their rarest finds.
She developed her repertoire and songwriting style listening to Memphis
Minnie, Sara Martin and Bessie Smith- their shameless sexuality and the
winking, confessional nature of their songs was a revelation.
In 2004 she co-founded The Roulette Sisters, a popular all-woman retro quartet
that performed originals and covered blues, country tunes and early girl group
harmony peices by groups like the Boswell Sisters. They released one record,
Nerve Medicine, on the Soapbox Records label. Since leaving the band in 2007
she's travelled extensively and made music in many places- rabblerousing
around Europe with anarchist Italian street bands, playing guitar and
listening to 78s with R. Crumb in the south of France, and playing concerts
and street shows all over Brooklyn and the world. She has shared the stage
with Dayna Kurtz, Jolie Holland, Bliss Blood, Norah Jones and loads of other
talented friends. She self-released her first solo record, Razorburn Blues, in
2008.
FRI AUG 7 8:30 $10 PIPER ROAD SPRING BAND
Just the calendar:
2009
FRI JUN 19 8:30 OPEN STAGE
SAT JUN 20 8:30 OPEN STAGE
FRI JUN 26 8:30 $5 BILL CAMPLIN solo/ Seth Blair
SAT JUN 27 8:30 $5
BILL CAMPLIN solo/ Josh Harty
FRI JUL 3 8:30 $5 BENNETT COOKE
SAT JUL 4& SUN JUL 5 we shall be closed
THU JUL 9 7-9 $7.50 THE NEW PIONEERS
FRI JUL 10 8:30 $15 advance MICHAEL JOHNSON
SAT JUL 11 8:30 OPEN STAGE
THU JUL 16 8:30 15 adv/ $20 door $10 students
MARTI GOBEL performs BEAUTY'S DAUGHTER by Dael Orlandersmith
FRI JUL 17 8:30 $10 advance MEG HUTCHINSON / Anne Heaton
SAT JUL 18 8:30 tba
SUN JUL 19 2:00 $15 adv/ $20 door $10 students
MARTI GOBEL performs BEAUTY'S DAUGHTER by Dael Orlandersmith
FRI JUL 24 8:30
JOHN SIEGER & the SUB-CONTINENTALS/ Satchel Paige
SAT JUL 25 8:30 OPEN STAGE
WED AUG 5 8:00 $12.50 advance SLAID CLEAVES
THU AUG 6 8:00 $15
DAYNA KURTZ & MAMIE MINCH- songs for Hazel Dickens
FRI AUG 7 8:30 $10 PIPER ROAD SPRING BAND
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